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Parts: I, II , III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII, XIV, XV
Part X
SUGGESTIONS
How to Write--What to Write--Correct Speaking and Speakers
Rules of grammar and rhetoric are good in their own place; their laws
must be observed in order to express thoughts and ideas in the right way
so that they shall convey a determinate sense and meaning in a pleasing
and acceptable manner. Hard and fast rules, however, can never make a
writer or author. That is the business of old Mother Nature and nothing
can take her place. If nature has not endowed a man with faculties to put
his ideas into proper composition he cannot do so. He may have no ideas
worthy the recording. If a person has not a thought to express, it cannot
be expressed. Something cannot be manufactured out of nothing. The author
must have thoughts and ideas before he can express them on paper. These
come to him by nature and environment and are developed and strengthened
by study. There is an old Latin quotation in regard to the poet which
says "Poeta nascitur non fit" the translation of which is--the poet is
born, not made. To a great degree the same applies to the author. Some
men are great scholars as far as book learning is concerned, yet they
cannot express themselves in passable composition. Their knowledge is
like gold locked up in a chest where it is of no value to themselves or
the rest of the world.
The best way to learn to write is to sit down and write, just as the best
way how to learn to ride a bicycle is to mount the wheel and pedal away.
Write first about common things, subjects that are familiar to you. Try
for instance an essay on a cat. Say something original about her. Don't
say "she is very playful when young but becomes grave as she grows old."
That has been said more than fifty thousand times before. Tell what you
have seen the family cat doing, how she caught a mouse in the garret and
what she did after catching it. Familiar themes are always the best for
the beginner. Don't attempt to describe a scene in Australia if you have
never been there and know nothing of the country. Never hunt for
subjects, there are thousands around you. Describe what you saw yesterday--
a fire, a runaway horse, a dog-fight on the street and be original in
your description. Imitate the best writers in their _style_, but not in
their exact words. Get out of the beaten path, make a pathway of your
own.
Know what you write about, write about what you know; this is a golden
rule to which you must adhere. To know you must study. The world is an
open book in which all who run may read. Nature is one great volume the
pages of which are open to the peasant as well as to the peer. Study
Nature's moods and tenses, for they are vastly more important than those
of the grammar. Book learning is most desirable, but, after all, it is
only theory and not practice. The grandest allegory in the English, in
fact, in any language, was written by an ignorant, so-called ignorant,
tinker named John Bunyan. Shakespeare was not a scholar in the sense we
regard the term to-day, yet no man ever lived or probably ever will live
that equalled or will equal him in the expression of thought. He simply
read the book of nature and interpreted it from the standpoint of his own
magnificent genius.
Don't imagine that a college education is necessary to success as a
writer. Far from it. Some of our college men are dead-heads, drones,
parasites on the body social, not alone useless to the world but to
themselves. A person may be so ornamental that he is valueless from any
other standpoint. As a general rule ornamental things serve but little
purpose. A man may know so much of everything that he knows little of
anything. This may sound paradoxical, but, nevertheless, experience
proves its truth.
If you are poor that is not a detriment but an advantage. Poverty is an
incentive to endeavor, not a drawback. Better to be born with a good,
working brain in your head than with a gold spoon in your mouth. If the
world had been depending on the so-called pets of fortune it would have
deteriorated long ago.
From the pits of poverty, from the arenas of suffering, from the hovels
of neglect, from the backwood cabins of obscurity, from the lanes and
by-ways of oppression, from the dingy garrets and basements of unending
toil and drudgery have come men and women who have made history, made the
world brighter, better, higher, holier for their existence in it, made of
it a place good to live in and worthy to die in,--men and women who have
hallowed it by their footsteps and sanctified it with their presence and
in many cases consecrated it with their blood. Poverty is a blessing, not
an evil, a benison from the Father's hand if accepted in the right spirit.
Instead of retarding, it has elevated literature in all ages. Homer was a
blind beggarman singing his snatches of song for the dole of charity;
grand old Socrates, oracle of wisdom, many a day went without his dinner
because he had not the wherewithal to get it, while teaching the youth of
Athens. The divine Dante was nothing better than a beggar, houseless,
homeless, friendless, wandering through Italy while he composed his
immortal cantos. Milton, who in his blindness "looked where angels fear
to tread," was steeped in poverty while writing his sublime conception,
"Paradise Lost." Shakespeare was glad to hold and water the horses of
patrons outside the White Horse Theatre for a few pennies in order to buy
bread. Burns burst forth in never-dying song while guiding the ploughshare.
Poor Heinrich Heine, neglected and in poverty, from his "mattress grave"
of suffering in Paris added literary laurels to the wreath of his German
Fatherland. In America Elihu Burritt, while attending the anvil, made
himself a master of a score of languages and became the literary lion of
his age and country.
In other fields of endeavor poverty has been the spur to action. Napoleon
was born in obscurity, the son of a hand-to-mouth scrivener in the backward
island of Corsica. Abraham Lincoln, the boast and pride of America, the
man who made this land too hot for the feet of slaves, came from a log
cabin in the Ohio backwoods. So did James A. Garfield. Ulysses Grant came
from a tanyard to become the world's greatest general. Thomas A. Edison
commenced as a newsboy on a railway train.
The examples of these men are incentives to action. Poverty thrust them
forward instead of keeping them back. Therefore, if you are poor make
your circumstances a means to an end. Have ambition, keep a goal in sight
and bend every energy to reach that goal. A story is told of Thomas
Carlyle the day he attained the highest honor the literary world could
confer upon him when he was elected Lord Rector of Edinburgh University.
After his installation speech, in going through the halls, he met a
student seemingly deep in study. In his own peculiar, abrupt, crusty way
the Sage of Chelsea interrogated the young man: "For what profession are
you studying?" "I don't know," returned the youth. "You don't know,"
thundered Carlyle, "young man, you are a fool." Then he went on to
qualify his vehement remark, "My boy when I was your age, I was stooped
in grinding, gripping poverty in the little village of Ecclefechan, in
the wilds of [Transcriber's note: Part of word illegible]-frieshire,
where in all the place only the minister and myself could read the Bible,
yet poor and obscure as I was, in my mind's eye I saw a chair awaiting
for me in the Temple of Fame and day and night and night and day I
studied until I sat in that chair to-day as Lord Rector of Edinburgh
University."
Another Scotchman, Robert Buchanan, the famous novelist, set out for
London from Glasgow with but half-a-crown in his pocket. "Here goes,"
said he, "for a grave in Westminster Abbey." He was not much of a
scholar, but his ambition carried him on and he became one of the great
literary lions of the world's metropolis.
Henry M. Stanley was a poorhouse waif whose real name was John Rowlands.
He was brought up in a Welsh workhouse, but he had ambition, so he rose
to be a great explorer, a great writer, became a member of Parliament and
was knighted by the British Sovereign.
Have ambition to succeed and you will succeed. Cut the word "failure" out
of your lexicon. Don't acknowledge it. Remember
"In life's earnest battle they only prevail
Who daily march onward and never say fail."
Let every obstacle you encounter be but a stepping stone in the path of
onward progress to the goal of success.
If untoward circumstances surround you, resolve to overcome them. Bunyan
wrote the "Pilgrim's Progress" in Bedford jail on scraps of wrapping
paper while he was half starved on a diet of bread and water. That
unfortunate American genius, Edgar Allan Poe, wrote "The Raven," the most
wonderful conception as well as the most highly artistic poem in all
English literature, in a little cottage in the Fordham section of New
York while he was in the direst straits of want. Throughout all his short
and wonderfully brilliant career, poor Poe never had a dollar he could
call his own. Such, however, was both his fault and his misfortune and he
is a bad exemplar.
Don't think that the knowledge of a library of books is essential to
success as a writer. Often a multiplicity of books is confusing. Master a
few good books and master them well and you will have all that is
necessary. A great authority has said: "Beware of the man of one book,"
which means that a man of one book is a master of the craft. It is
claimed that a thorough knowledge of the Bible alone will make any person
a master of literature. Certain it is that the Bible and Shakespeare
constitute an epitome of the essentials of knowledge. Shakespeare
gathered the fruitage of all who went before him, he has sown the seeds
for all who shall ever come after him. He was the great intellectual
ocean whose waves touch the continents of all thought.
Books are cheap now-a-days, the greatest works, thanks to the printing
press, are within the reach of all, and the more you read, the better,
provided they are worth reading. Sometimes a man takes poison into his
system unconscious of the fact that it is poison, as in the case of
certain foods, and it is very hard to throw off its effects. Therefore,
be careful in your choice of reading matter. If you cannot afford a full
library, and as has been said, such is not necessary, select a few of the
great works of the master minds, assimilate and digest them, so that they
will be of advantage to your literary system. Elsewhere in this volume is
given a list of some of the world's masterpieces from which you can make
a selection.
Your brain is a storehouse, don't put useless furniture into it to crowd
it to the exclusion of what is useful. Lay up only the valuable and
serviceable kind which you can call into requisition at any moment.
As it is necessary to study the best authors in order to be a writer, so
it is necessary to study the best speakers in order to talk with
correctness and in good style. To talk rightly you must imitate the
masters of oral speech. Listen to the best conversationalists and how
they express themselves. Go to hear the leading lectures, speeches and
sermons. No need to imitate the gestures of elocution, it is nature, not
art, that makes the elocutionist and the orator. It is not _how_ a
speaker expresses himself but the language which he uses and the manner
of its use which should interest you. Have you heard the present day
masters of speech? There have been past time masters but their tongues
are stilled in the dust of the grave, and you can only read their
eloquence now. You can, however, listen to the charm of the living. To
many of us voices still speak from the grave, voices to which we have
listened when fired with the divine essence of speech. Perhaps you have
hung with rapture on the words of Beecher and Talmage. Both thrilled the
souls of men and won countless thousands over to a living gospel. Both
were masters of words, they scattered the flowers of rhetoric on the
shrine of eloquence and hurled veritable bouquets at their audiences
which were eagerly seized by the latter and treasured in the storehouse
of memory. Both were scholars and philosophers, yet they were far surpassed
by Spurgeon, a plain man of the people with little or no claim to
education in the modern sense of the word. Spurgeon by his speech
attracted thousands to his Tabernacle. The Protestant and Catholic, Turk,
Jew and Mohammedan rushed to hear him and listened, entranced, to his
language. Such another was Dwight L. Moody, the greatest Evangelist the
world has ever known. Moody was not a man of learning; he commenced life
as a shoe salesman in Chicago, yet no man ever lived who drew such
audiences and so fascinated them with the spell of his speech. "Oh, that
was personal magnetism," you will say, but it was nothing of the kind. It
was the burning words that fell from the lips of these men, and the way,
the manner, the force with which they used those words that counted and
attracted the crowds to listen unto them. Personal magnetism or personal
appearance entered not as factors into their success. Indeed as far as
physique were concerned, some of them were handicapped. Spurgeon was a
short, podgy, fat little man, Moody was like a country farmer, Talmage in
his big cloak was one of the most slovenly of men and only Beecher was
passable in the way of refinement and gentlemanly bearing. Physical
appearance, as so many think, is not the sesame to the interest of an
audience. Daniel O'Connell, the Irish tribune, was a homely, ugly,
awkward, ungainly man, yet his words attracted millions to his side and
gained for him the hostile ear of the British Parliament, he was a master
of verbiage and knew just what to say to captivate his audiences.
It is words and their placing that count on almost all occasions. No
matter how refined in other respects the person may be, if he use words
wrongly and express himself in language not in accordance with a proper
construction, he will repel you, whereas the man who places his words
correctly and employs language in harmony with the laws of good speech,
let him be ever so humble, will attract and have an influence over you.
The good speaker, the correct speaker, is always able to command
attention and doors are thrown open to him which remain closed to others
not equipped with a like facility of expression. The man who can talk
well and to the point need never fear to go idle. He is required in
nearly every walk of life and field of human endeavor, the world wants
him at every turn. Employers are constantly on the lookout for good
talkers, those who are able to attract the public and convince others by
the force of their language. A man may be able, educated, refined, of
unblemished character, nevertheless if he lack the power to express
himself, put forth his views in good and appropriate speech he has to
take a back seat, while some one with much less ability gets the
opportunity to come to the front because he can clothe his ideas in ready
words and talk effectively.
You may again say that nature, not art, makes a man a fluent speaker; to
a great degree this is true, but it is _art_ that makes him a _correct_
speaker, and correctness leads to fluency. It is possible for everyone to
become a correct speaker if he will but persevere and take a little pains
and care.
At the risk of repetition good advice may be here emphasized: Listen to
the best speakers and note carefully the words which impress you most.
Keep a notebook and jot down words, phrases, sentences that are in any
way striking or out of the ordinary run. If you do not understand the
exact meaning of a word you have heard, look it up in the dictionary.
There are many words, called synonyms, which have almost a like
signification, nevertheless, when examined they express different shades
of meaning and in some cases, instead of being close related, are widely
divergent. Beware of such words, find their exact meaning and learn to
use them in their right places.
Be open to criticism, don't resent it but rather invite it and look upon
those as friends who point out your defects in order that you may remedy
them.
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Part XI : SLANG
Origin--American Slang--Foreign Slang
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